Thor
– First 15 minutes analysis
Thor
(2011, Dir. Kenneth Branagh) is a superhero film, produced by Marvel
Studios and was distributed by Paramount Pictures. It's a mainstream
film, due to the big name companies that it had as its production and
distribution company, as well as how it was based on material from
the existing Marvel franchise, which has a huge following. Thor sets
itself aside from other Marvel films by its use of fantasy elements,
rather than classic science fiction.
The
film itself begins with dark imagery and suspenseful music, making
the audience feel a sense of mystery, as the camera pans to a
singular light source, a van. Later revealed to be a research team,
out in the desert of New Mexico. This helps it link to it's genre of
a superhero film with the expected science equipment, but it also
contrasts the more fantasy parts of the whole film.
We also get the
first named character, Jane, and seeing as she's the main focus of
this scene, the audience will expect her to become important later
on. Jane explains how she's researching auroras and atmospheric
disturbances, and 'her research'. This gives the audience enough
information to know what's going on, while still keeping some plot
elements for development later in the film.
Jane
then goes on to discover the auroras she's been looking for, and the
audience feel a resolve. They then go onto to create a dramatic
sequence by use of music and moving cameras, with Jane needing to get
closer to it, yelling at the driver to “GO!”. This creates the
sense of urgency, and how the auroras must be a central plot device.
The aurora then shows to be more of a storm, with hurricane and
clouds, showing danger, and creating action in the so far quiet film.
The group then hit someone with their car, which causes most of the
action to dissipate as they have to find out who they've hit. The
group are in a stunned silence, contrasting the previous sequence
which has sound effects and visual cues of hurricanes and explosions.
The
group then investigate the body, talking a lot more than before due
to how the scene has little action other than them getting out of the
van. After asking the question “Where did he come from?”, they
have a close up on her face and then a high angle wide shot to show
the emptiness of their surroundings.
The film then cuts to the
opening sequence, introducing it as a Marvel picture. The film also
has a huge setting change, going back in time to 965 and to Norway.
Most of the audience will know about Thor and his backstory, and will
expect more about him in this sequence. The camera has a wide high
angle shot showing the difference in scenery. A narrator also
appears, telling the audience that 'man knew they were not alone in
the universe'. This links to the Marvel franchise, and how they have
pre-existing use of aliens and similar sci-fi elements. At the same
time he develops his speech to talk about gods, which links back to
the Thor franchise.
The
film shows a simple old-age village that wouldn't be out of place in
a fantasy film, but also shows the villagers with scared expressions.
It then goes onto show a wide angle shot of a fantasy race called
'frost giants'. This is exposition and explanation for later in the
film, when they serve a purpose in the plot. It goes onto showing
them killing people, making their status as antagonists clear, as
well as the narrator stating their wants to cause harm. It then goes
onto create a war scene, in which the two sides are shown, creating
tensions. A close up of both the sides 'leaders' portrays the humans
side as bright, while the giants side as being more dark and
sinister. The two sides then clash in a classic war fight scene, with
disorientated and blurred scenes to give the idea of how reckless and
confusing it must be to be in the fight.
The
scene then goes to a shot of the planet, with a noticeable ice sheet
over it, as well as the narrator returning to explain how they
overcame the frost giants. Changing scenery to a wide shot of a
temple, the camera flies through the scene to show the same person
who led the army having taken great damage, having lost an eye and
looking a lot more dishevelled. The scene then changes again back to
the planet, but shows the camera going beyond the planet and further
into space, the narrator saying how they're going 'back home', then
revealing they came from 'Asgard'.
The
camera then goes to show a fantasy setting of a city, which looks
very extravagant and impressive to show its importance. The camera
finally sets on the inside of what appears to be a temple, with the
narrator being revealed to be the leader of the army, showing two
children the artefact they claimed from the frost giants. A hammer
comes into shot, showing the typical Thor iconography. The characters develop, the man who lead the armies is revealed to be king, and the two children are his sons.
The setting then changes to
a large hall, crowded with people, showing a man holding the hammer,
'Mjolnir', as well as the king who seems to have grown older.
Frequent shots show perfect symmetry, showing the order in the scene,
a big contrast to the chaos of the war scene shown previously. The
man is then revealed to be Thor, showing that the story is properly
underway. The king, which the audience will have figured out to be
Odin, begins a speech, and while this happens the camera then flies
to an underground temple, with darker lighting to show the change in
mood.
It shows two people approaching the artefact seen earlier in
the film, as well as ice imagery to parallel the frost giants, who
then are shown to be back, with Odin interrupting his speech to notice
them. They're shown taking the artefact. The camera cuts back to
Odin, who releases what seems to be a giant suit of armour,
in the temple room that subsequently destroys the frost giants. The
main three characters, Thor, Loki, and Odin are then shown inspecting
the revealed to be weapon's vault, and having an argument over the
events, with Odin finishing saying Thor isn't really king.
Thor
is shown to be incredibly angry due to this, flipping a table full of
food and cutlery. He's shown needing to be reconciled by both his
brother, Loki, and a group of his peers, with Thor claiming they're
going to 'Jotunheim',
the characters then say how dangerous, even forbidden, it is to get
there. Thor inevitably convinces the group to travel with him to
Jotunheim, and a montage showing their travelling ensues, showing the
advancement of the plot.
No comments:
Post a Comment